The growth of a talented composer : Johnny Hachem


Posted On Nov 14 2022

Meet Johnny Hachem and some of his music work: Johnny Hachem composed the music of many films, most notably the documentary film by Carmen Labaki: “I Knocked on the Temple’s Door”. To his name, he has a piano concerto, clarinet concerto, Violin concerto and a large variety of instrumental and orchestral compositions that have been performed in Europe & the Middle East. His music was broadcasted on different Radio stations in the Middle East, The United Kingdom, Brazil, Central America and The Caribbean. Hachem was a professor at the Lebanese National Higher Conservatory of Music. He has achieved a Masters degree in composition with distinction. Discover even more details at Johnny Hachem.

As music theory, can you explain for other artists why it is advantageous to discover classical chord progressions and harmonies and apply them into any genre? Johnny Hachem: Of course, it’s advantageous to discover classical chord progressions and harmonies because they are the basic of almost all the music genres or let’s say they will enrich their musical thoughts even if they won’t be used the classical school way they can affect them unconsciously. It’s well needed to study all these things but at the end, when you compose, you must not to be making just a harmony exercise: you should really have the talent to add your own thoughts…

Currently, Johnny is preparing for a series of piano concerts that he will perform in various European countries in the near future and says that the proceeds will be donated to the families affected by the war in Lebanon and Ukraine. He believes donating to humanitarian causes gives meaning to his musical message. Johnny Hachem has come a long way, and even though he faced a lot of hurdles, he refused to give up. And finally, he has been successful in achieving his dreams. Now he wishes to guide the aspiring musicians and pianists in the world to accomplish what he has done over the years of hard work. “Do not try to imitate successful musicians and stars. Instead, do the opposite and draw your own unique path. This is the key to success,” he stressed. He is an ambitious, passionate, and emotional person who values deep feelings and cherishes others’ happiness. Johnny Hachem’s message is about peace, and he uses his music to spread it across the world.

How can one make ends meet from composing in this era? Johnny Hachem: To keep the beauty in anything modern he/she composes. And the biggest proof for me is “Jacob & Rachel, The Love Story” it has won the 3rd prize among hundreds of contemporary compositions… Is it important as a classical musician to “be out there” and “sell yourself”? Johnny Hachem: Not at all! Have you ever thought of writing a piece with bel canto vocals in it? Johnny Hachem: Sure I did that before…

Johnny has performed his compositions world-wide in countries including, Lebanon, Jordan, Bahrain, Egypt, Qatar, France, Switzerland, Germany, England, Spain, Poland, Belarus and Ukraine. His most notable work include his composition for the documentary film I Knocked on the Temple’s Door by Carmen Labaki, and also for composing “The Fourth Watch”, which was performed by the Lebanese Philharmonic Orchestra in December 2014 and “The Battle of Siddim” performed by the Lebanese Philharmonic Orchestra in May 2017 and by “Lublin Philharmonic orchestra”, Poland in October 2017.

He is a very talented musician who has composed music for several films, including the award-winning documentary by Carmen Labaki: “I Knocked on The Temple’s Door”. To name just some of his work he also wrote piano concertos as well clarinet and violin pieces among others that have been performed around Europe & the Middle East. Johnny Hachem’s music is like a window to his soul. The way he sees things, the feelings that are evoked in people by his compositions – it all comes through so clearly and with such honesty of expression because Johnny himself has been there before you know.

Last Updated on: December 1st, 2022 at 12:01 pm, by


Written by Petrescu Dan