Who is Johnny Hachem and some of his music thoughts: Johnny has performed his compositions as a soloist at several concerts and international festivals in Ukraine, Lebanon, Switzerland, France, Austria, Germany, England, Spain, Poland, Romania, the Netherlands, Lithuania, Belarus, South Korea, Jordan, Egypt, the United Arab Emirates, Bahrain and Qatar. He has also composed the music of many films, most notably the documentary film by Carmen Labaki: “I Knocked on the Temple’s Door”. To his name, he has a piano concerto, clarinet concerto, Violin concerto and a large variety of instrumental and orchestral compositions that have been performed in Europe & the Middle East. Read extra details at Johnny Hachem.
As music theory, can you explain for other artists why it is advantageous to discover classical chord progressions and harmonies and apply them into any genre? Johnny Hachem: Of course, it’s advantageous to discover classical chord progressions and harmonies because they are the basic of almost all the music genres or let’s say they will enrich their musical thoughts even if they won’t be used the classical school way they can affect them unconsciously. It’s well needed to study all these things but at the end, when you compose, you must not to be making just a harmony exercise: you should really have the talent to add your own thoughts…
As for learning piano and music composition, Johnny got his training from the Lebanese higher Conservatory of Music and earned a master’s degree with distinction. Since then, there has been no looking back for him. In fact, Johnny has been composing for more than 20 years and has produced music for orchestras and chamber music. Moreover, many symphony orchestras have been playing his compositions on the stages in various countries across the world.
How can one make ends meet from composing in this era? Johnny Hachem: To keep the beauty in anything modern he/she composes. And the biggest proof for me is “Jacob & Rachel, The Love Story” it has won the 3rd prize among hundreds of contemporary compositions… Is it important as a classical musician to “be out there” and “sell yourself”? Johnny Hachem: Not at all! Have you ever thought of writing a piece with bel canto vocals in it? Johnny Hachem: Sure I did that before…
Johnny Hachem composer and pianist, was born in Beirut. He is a live performer, as well as a film composer. He holds two international awards including the 2009 international award for the Music Composition from the The International Composition Conference (Cergy-pontoise, France). The music industry in the US is huge. With a lot of mainstream and underground musicians trying to make it big in the industry, it is only a handful of extremely talented individuals who shine bright in the crowd.
Second, the contemporary music compositions have become quite difficult for the majority of the people to enjoy. Very few would like to attend such concerts and even most of the professional musicians themselves always prefer to perform a beautiful music where you can hear a clear and beautiful theme, harmony and orchestration. That’s why, I believe, every music that doesn’t contain a beautiful theme will be directly forgotten and less appreciated.
