Best rated fashion trends 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: But look a bit deeper. At the pool, a model is actively being restrained and arrested. Zip ties are hanging from the belts. Imagery of gay Arab icons is plastered onto some of the skirts, as well as sleeveless muscle tanks that boast Armenian prints as an ode to Jerusalem’s Armenian culture and population. Here, Lawrence, who hails from East Jerusalem and is Palestinian with Armenian descent, along with his codesigner Omar Braika, a Palestinian refugee who lives in Jordan, wanted to reference the ongoing checkpoints and inspections that Palestinians have to go through while attempting to cross from into Israel, while also touching on perceptions of gay culture in the Middle East.
I really wanted to create a synthesis of powerful, sophisticated femininity, with an interplay of multiple American and Parisian influences, sports and craftsmanship, creative director Matthew M. Williams said of Givenchy’s new collection. Next to her stands a contemporary man with an instinct for chic nonchalance. On the runway, both are grounded by a sense of reality. For Isabel Marant this season, there was a little Y2K inspiration and a desire to focus on the essentials. Getting dressed in a simple and comforting gesture, putting on a men’s jacket or an oversized coat over a skinny little dress, betting on the cosiness of a cuddly knit dress paired with Motocross-inspired thigh-high boots.
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: “Our brand is a visual story of our lives, and as Palestinians our existence is political because to exist is to resist. With every piece, we cover an aspect of our story,” says Lawrence. “We try to use all aspects of a collection—such as tailoring, prints, campaigns, and casting—to convey each message.” The designers painstakingly embed physical symbols of Palestinian symbols into their creations. For instance, their spring 2021 collection nods to the tough inspection checkpoints through which people must travel when entering or exiting Palestine through double-layered pants and tops, tailored to mirror the constant surveillance upon Palestinians. The idea was previously explored in tRASHY’s spring 2018 pieces, too: three years ago, their runway show had a built-in border allowing only one side of the audience to view the collection. The production was in line with their ethos: very tongue-in-cheek while striking a nerve.