Premium portret painting tips from Gerry Bryceland? When you draw from a photo, you have the benefit of a model that will remain in the same position. You also benefit from having a model that has a fixed light source. If you are going to try to draw a self-portrait that is as close to a perfect likeness as possible, then using a photo is the best approach for you. Another benefit of drawing from a photo is that you can use the grid method, or you can use a projector or lightbox to help you establish a rough outline for your self-portrait. Many artists will argue with you for hours on end about how drawing from life is superior to drawing from a photo. After all, if you already have a photo of someone, why should you try to recreate that by drawing it? That logic is a bit skewed since many artists that are drawing portraits or self-portraits aren’t interested in copying a photograph. They are trying to create an original piece of artwork that is based on a photo.
Drawing The Ears: Extend the second red guide line from the top of the head to the outside parts of the face, and mark those points with dots or light lines that are just right at the frame of your face. These points will be the tops and bottoms of your ears. The third red guide line from the top is where the bottom of your nose will be, so anticipate that you will draw in that area. It’s good to remember that your nose also has the same height as your ears! Finally, begin drawing the ears within those line markers. Reminder: Don’t make it too complicated! You can even cover some areas with hair if you choose to do so, don’t get bogged down or too intimidated by the details. After all, this is mainly for proportion practice. Let’s make it easy and very doable for you. You can always practice drawing more detailed ears at a different time on another portrait drawing.
Gerard Bryceland‘s guides on portret painting: The White of the Eye: a dark grey glaze is mixed from scarlet red, yellow medium azo and phthalocyanine blue and lightened with opaque titanium white. This is then applied in graduated layers to render the dark tones of the white of the eye. Note how the upper eyelid casts a strong shadow across the eye while the lower eyelid registers a weaker one. These shadows create the illusion that eyeball is resting comfortably in its socket. The Iris: glazes of burnt sienna and titanium white are combined to suggest the refracted light of the brown iris. A little Prussian blue is added to darken the burnt sienna around the outer edge of the iris.
What makes a good self-portrait drawing? That depends on what type of picture you are trying to create. Do you want a self-portrait that looks exactly like you? Or how about an abstract or expressionist portrait that captures your personality? No matter what your intentions are, or what type of self-portrait you want to draw, drawing a self-portrait is something of a right of passage for every artist. Even if you don’t plan on drawing figures, as an artist, you should still take the time to explore your own face and use it to create a unique and insightful piece of artwork.
About Gerard Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.
